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Spoofing Elvis movies and Juvenile Delinquency scare films of the ’50s, this movie follows the adventures of Cry-Baby who, though he is sent to juvie, is determined to cross class (and taste) boundaries to get Allison back. Allison is a “square” good girl who has decided she wants to be bad and falls hard for Cry-Baby Walker, a Greaser (or “Drape” in John Waters parlance). Vernon-Williams ) and Iggy Pop (Belvedere Rickettes ).
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Movie starring Johnny Depp (Cry-Baby ), Amy Locane (Allison Vernon-Williams ), Susan Tyrrell (Ramona Rickettes ), Polly Bergen (Mrs. Just find the right one for the right person – we have large selection of fanart designs Many sizes available: 30x40cm, 50x70cm, 60x90cm, 11”x14”, 16”x20”, 18”x24”, 24”x36”, A3, A2, A1, A0 Highly durable – all prints are covered with UV ray protective layer and the heavy high-quality photopaper lets you mount it to a wall with or without a frame
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A great artwork to help you bring more life to any living or working space We digitally drew this design, it is Unique. Gloves are added for poster handling so you don’t leave fingerprints on the artwork Posters are shipped in a secure cardboard tube.
Cry baby movie poster free#
Pick free shipping or select more faster paid shipping option. It is an additional irony that humans have learned little from the insects, and the butterflies turn into the worms.Key details Shipped out within 48h of orderingĬry-Baby fanart movie print stunning vector quality design printed on highest quality 220-250gsm Luster photopaper Today's teenagers will grow up to be tomorrow's adults, and yet in every generation teenagers and adults seem to have as little knowledge of that ancient fact as the caterpillar has of the butterfly. "Cry-Baby," which is a good many things (including a passable imitation of a 1950s teenage exploitation movie) is, above all, a reminder of that process. And the adults find in this teenage behavior signs of the collapse of civilization as they know it.
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In every generation, teenagers find a way to express themselves and annoy adults. As I was reading that ridiculous newsweekly cover story on rap music the other day, I found myself wishing that the hysterical old maids who wrote it could have been taken first to see "Cry-Baby," so that they could gain some insight into themselves. If there is one constant in recent social history, it is that we feel nostalgia for yesterday's teenage badness even while we fear today's. It also includes various parents, schoolmates, local tramps and sluts, and the straight-arrow types without which the 1950s would have lost their point of reference. The movie's large cast (large enough to accommodate Polly Bergen and Traci Lords, David Nelson and Iggy Pop) includes Cry-Baby's grandparents (Pop and Susan Tyrrell), a rockabilly family that lives on the wrong side of the tracks and musicians who seem to be on the edge of inventing rock 'n' roll, if some one does not invent it for them. The movie's bad guy is the good guy, Baldwin (Stephen Mailer), who loves Allison in the right way, which is to say he loves her so boringly he might as well not love her at all. Into his life comes Allison ( Amy Locane), the good girl who has a crush on Cry-Baby and feels strange stirrings in her loins by the promise that he is as bad as they say. The movie tells the story of Cry-Baby himself, played by teen idol Johnny Depp as a juvenile delinquent who forever has a tear sliding halfway down his cheek, a reminder of a grief he will live with forever, a teenage tragedy that has left its mark on his soul, a lost romance. The nerds are not made much of in "Cry-Baby," but in my memory they were the kids who wore slide rules in their pockets and collected science fiction magazines and grew up, one suspects, to be John Waters. The squares wear crew cuts and want to go to college. The drapes slick their hair into ducktails and wear black leather jackets and are proud to be juvenile delinquents. The teenage culture is divided into three camps: the drapes, the squares, and the nerds. The movie takes place in 1954, in Baltimore, at the dawn of rock 'n' roll (one is reminded of the opening scenes of "2001," at the dawn of man, an event less remarked at the time). Feelings like these are what John Waters' "Cry-Baby" is about.